Harry Redl : Portraits of the Beat Generation |
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HARRY REDL was born in Vienna in 1926 and died in Vancouver in 2011. He served during the war with the German navy in the Baltic Sea, and was captured by the Americans in 1945. He spent a year working as an interpreter for Canadian forces. In 1950 he emigrated to Canada, taking various jobs in Vancouver as a waiter, logger, and shipping clerk. A friend brought him a Rolleiflex in 1952, and that started him on his photographic career. In 1956, passing through San Francisco enroute to Mexico City, he was electrified by the flourishing literary and art scenes and returned for a three year stay. In 1961 he shipped out to Hong Kong on what began as a vacation and turned out to be six years of work covering the Vietnam war, Communist uprisings in Indonesia, and events in Laos, Cambodia, and China. In 1967 he returned to Vienna for a year and then to Phoenix for the next seventeen years. His photojournalism has appeared in Life, Time, Newsweek, and other
international journals. Apart from his indelible images of so many of the
major social and political events of the last half century, stands what
may be his most enduring body of work: his portraits of America's outstanding
personalities in the worlds of art, music, and literature. The same keen
eye for the pivotal events in world affairs that so often put him in the
right place at the right time attuned him to those cultural currents that
were to have a profound influence on our times; such as that heady time
in San For many of us in the rest of the world, the first news of these great happenings in San Francisco appeared in the New York literary journal, The Evergreen Review. Their second issue, in 1957, was devoted to "The San Francisco Scene" and featured a major portfolio of Harry Redl's portraits of the leading lights of the scene. In the years since, his images have appeared in almost all the published accounts of that epochal period and were an important part of the Whitney Museum's Beat Culture and the New America exhibition. Harry's pictures not only recorded an era, but also helped shape it.
In
the mid-fifties it was something special to have a brilliant photographer
coming around to photograph the outlaw and outcast art scene. We didn't
know yet that we were "Beats" or the "San Francisco Renaissance" but Harry
Redl's photographs helped to delineate those movements, and helped us
define ourselves. Harry came by my apartment to photograph us -- and also
to photo Surrealist poet Philip Lamantia -- or whoever else was visiting.
Harry did studies of our maudite style of living. One time Harry had two
free air tickets to Reno and we took the flight together to look at the
desert city of black jack and chrome; other times we'd sit up drinking
coffee and smoking black Spanish cigarettes. Harry was the image shaper
of a scene that stretched from outspoken poets to Assemblage artists.
Thanks to Harry we have the black and gray and white shapes of it in all
their stark romantic clarity. Harry Redl had the instincts to find his way into the most interesting circles in San Francisco at the peak of an incredible period -- no small thing for someone who had not so long ago arrived from Austria. He also had the wisdom to follow those people with his camera and his tape recorder, to have the faith in his instincts to create these photographs that have, like all photographs, new meanings over time. Without Harry's photographs we would know much less about the late 1950s and less about the personalities -- artists, poets, filmmakers -- he captured. So I love the fact that this site can provide free access, and everyone has a chance to see at least the tip of the iceberg.
Those pictures are fascinating, and I'm delighted to know that Harry Redl is now in Vancouver. I recall our brief meeting with great pleasure and his particular photo of me became almost a talisman, prompting Robert Bly's poem and all. Anyhow, the last I'd heard of him he was somewhere in "Asia" so it's good to know he's on this side of the water again. Documentary by J. Rigler
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Gallery Press Harry Redl Contact Brian Nation |
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